Thursday, April 29, 2010
International Clown Hall of Fame to Open Doors on May 21.
Wednesday, February 24, 2010
I am my own commedia mask
Masks? I don't need no stinkin' masks! :o)
I've attached the slideshow here. But if you can't see them because you don't get flash, visit http://bit.ly/commedia_faces for the FLICKR page.
Thursday, January 21, 2010
Finding Your Funny Bone! by Nancy Gold
In 1991, I traveled to Philadelphia to the International Clown Congress. There I met a number of other clowns, many of whom I continue to be friendly with to this day (I also met a guy who was from Rhode Island, and we had a number of friends in common, but strangely had never met-- and we've worked on a number of projects together, including 3 original circuses and a large-scale festival. But that's a different story!)
While I was there, I took workshops with Bolek Polivka and Fred Curchack. I also met Ctibor Turba, who intrigued me enough that in 1992, I went to Czechoslovakia to study with him.
Lo and behold, she's got a recent book out, Finding Your Funny Bone!, about learning physical comedy for actors. Nancy has been teaching at A.C.T. and Berkeley Rep for a number of years, and has compacted all of her teaching into this book. I haven't delved into the book yet, (she's promised me a review copy though, and when I get it, I will review it right here.)
The little that I've seen of the book from her website, it looks like it's going to be very good. Nancy writes and teaches with a lot of enthusiasm, and the excerpts from the book show it clearly.
If you've read the book, feel free to write a comment and tell us what you think about it.
WEBSITE: http://www.findingyourfunnybone.com
BUY THE BOOK ON AMAZON.COM: Finding Your Funny Bone!
Monday, January 18, 2010
ICHOF Names Greg DeSanto Executive Director
Baraboo, WI (January 18, 2010) – A bright addition to Baraboo’s unique circus heritage was revealed today as The International Clown Hall of Fame and Research Center announced the opening of its new headquarters in America’s Circus City.
Internationally renowned for its research and involvement in the art, craft and history of clowning, the ICHOF boasts the world’s most wide-ranging collection of clown artifacts and memorabilia, including wardrobe and props from many of the most famous names in clowning history.

“We are delighted to send in the clowns – and send them to Baraboo, back home where they belong,” said Greg DeSanto, recently named the ICHOF’s Executive Director. Himself a celebrated clown and circus historian, DeSanto, a Baraboo resident, performed at the Circus World Museum for over seven years. He’s also been featured in Ringling Bros. and Barnum & Bailey, the Big Apple Circus and other major shows around the world.
As we expand our presence in Baraboo, we hope that scholars and historians and the public at large will experience our fascinating exhibits and extensive archives,” DeSanto says.
Founded in Delevan, WI in 1986, the ICHOF was created as a not-for-profit 501(c)3 organization, honoring and supporting the international art of clowning. The first and only group of its kind, it provides both rich research opportunities and educational outreach, along with the world’s largest collection of artifacts and collections concerning the art of clowning.
In 1988, the ICHOF began enshrining international artists who have enhanced and advanced the art of the clown. Since then, sixty-one performers have been inducted into the Hall, including Red Skelton, Lou Jacobs, Emmett Kelly, Otto Griebling, Felix Adler, Barry Lubin, Bobby Kaye, Jimmy Williams, Frosty Little, Steve Smith, Grock, Charlie Chaplin and Bill Irwin. The prestigious Lifetime of Laughter achievement award is also presented annually.
Fulfilling its commitment to community outreach, the Hall’s Caring Clown program provides therapeutic humor for children and their families at the Milwaukee’s Children’s Hospital. With Long Term Laughter Care, the ICHOF brings fun and comfort to residents at skilled nursing facilities and assisted living centers.
“We are honored to join the Circus World Museum and the Al Ringling Theater as key spokes in Barboo’s celebrated wheel of circus history,” adds DeSanto. “We welcome residents and visitors alike to join us in our ongoing efforts to promote and preserve the grand and glorious history of hilarity.”
Friday, July 24, 2009
Guy LaLiberte (Cirque du Soleil founder) is from outerspace!
Read the article here:
http://news.yahoo.com/s/ap/20090723/ap_on_sc/us_space_shuttle
And here's a little excerpt for you:
Circus performer's flight preview steals NASA show
By MARCIA DUNN, AP Aerospace Writer-- Thu Jul 23,2009 4:42 pm ET
CAPE CANAVERAL, Fla. – A former stiltwalker and fire-eater stole NASA's show Thursday, saying he'll be "like a kid in a candy store" experimenting with zero-gravity tricks on his upcoming tourist trip to the international space station.
Cirque du Soleil founder Guy Laliberte is shelling out a reported $35 million for his round-trip ticket aboard a Russian spacecraft. He will rocket into orbit from Kazakhstan at the end of September with a professional astronaut and cosmonaut, and spend more than a week at the space station.
At a news conference in Houston, as 13 people circled overhead on the shuttle-station complex, Laliberte was bombarded with questions from journalists, most of them gathered in his home country of Canada.
"As you know, I'm not a scientist. I'm not a doctor. I'm not an engineer. I'm an artist. I'm a creator, and I'll try to do and accomplish this mission with my creativity and what life has given me as a tool," said the Quebec billionaire, who turns 50 in September.
Laliberte assured reporters that he will not play with any fire in space — for obvious reasons. But he hopes to try some acrobatics in weightlessness and may teach his crewmates a card trick or two.
"I don't know how we'll be using stilts up there," he said. "But I think there are a couple little things, hopefully, that I have learned in my career of street entertainer that I will try to apply up there."
READ THE REST OF THE ARTICLEFriday, July 17, 2009
Commedia at Lincoln Center (July 22-26)
Venetian playwright Carlo Goldoni’s 1761 three-part satire of the Italian middle class was given new life more than 50 years ago by Piccolo Teatro di Milano’s late founder, Giorgio Strehler.
With a nod to Strehler and in the spirit of Goldoni, Italian actor and director Toni Servillo continues this legacy of innovation that helped to redefine commedia dell’arte nearly 250 years ago.
Recently appearing in the Italian films Gomorrah and Il divo and “widely reputed to be the best Italian stage and screen actor of his generation” (The International Herald Tribune), Servillo stars in and directs his own company, Teatri Uniti di Napoli, in a co-production with the famed Piccolo Teatro di Milano in this fresh and charming version of a seminal work. This remarkably timely piece of comic theater reminds us that the masks we wear to escape from ourselves hide nothing and only serve to draw attention to the complicated realities of our everyday lives.
Performed in Italian with English supertitles
This performance is approximately two hours and forty-five minutes with one intermission.
FIVE PERFORMANCES ONLY!
Wed, July 22, 8 pm
Thurs,July 23, 8 pm
Fri, July 24, 8 pm
Sat, July 25, 8 pm
Sun, July 26, 3 pm
at the Rose Theater, Broadway at 60th Center (Lincoln Center)
Buy tickets at this page: http://www.lincolncenter.org/search_results.asp?showcode=32269
Thursday, July 09, 2009
Clown training in Boulder with Giovanni Fusetti
Boulder, COLORADO-USA
August 2nd to 23rd
THE RED NOSE
International Training on Theatre Clown
6th Edition
Two places are still available !!!
http://www.giovannifusetti.com/en/workshops-detail.php?nav=1〈=en&post=40
Boulder, COLORADO-USA
August 25th to September 6th
CLOWN’S LIFE
Advanced Training
Writing and devising with your clown
One place is still available !!!
http://www.giovannifusetti.com/en/workshops-detail.php?nav=1〈=en&post=41
For further information about the workshops and HELIKOS school
Please visit the website
http://www.giovannifusetti.com
Tuesday, July 07, 2009
Gilkey- Pitt- Donlon - 2 performances in San Francisco in July.
In Spring 2008, James Donlon, after a 40 year international teaching and performance career, was inspired to create a physical theater school in San Francisco, building on the rich history of clowning, mime, and circus that had flourished in the city for decades. Donlon invited fellow master teacher Leonard Pitt to share this vision, and together in 2009 they founded the FLYING ACTOR STUDIO, one of the few centers in North America where one can study physical theater. In the '70's both Donlon and Pitt operated nationally known movement theater schools in San Francisco and Berkeley, as part of a vanguard of artists that included Robert Shields, Geoff Hoyle, Bill Irwin, and The Pickle Family Circus. Now Donlon and Pitt continue.
THE SHOW:
To celebrate, master performers John Gilkey, Leonard Pitt, and James Donlon will perform a gala kickoff piece called
‘The Zany and the Surreal’
Two performances only July 18, 5pm & July 19, 3 pm at the EXIT Theatre in San Francisco.
The Show
Gilkey, Pitt and Donlon bring their individual "greatest hits” to the main stage of the EXIT Theatre, 156 Eddy St., San Francisco for two performances only, July 18, 5pm, and July 19, 3 pm.
The Saturday (July 18th) show is followed by an 8pm to 11pm Gala at the new Flying Actor Studio, 40 First St. between Market and Mission, celebrating the launch of their new school dedicated to physical theatre and movement for actors.
ABOUT THE PERFORMERS:John Gilkey has played a lead role in three Cirque Du Soleil productions; Quidam, Dralion and Varekai - more than any other performer. For each of these shows he developed and performed totally original characters and routines. With Cirque Du Soleil alone John has performed live for more than three million people. He also directed and performed in the clown troupe in Franco Dragone’s spectacular water show, Le Reve, in Las Vegas. Additionally, John has performed internationally for more than twenty-nine years in circus, variety, comedy clubs, theater and television. John Gilkey's innovative routine with a coat rack is widely recognized as a landmark juggling act of the contemporary circus movement. WEBSITE: http://www.johngilkey.com/
James Donlon has been a celebrated international performer and master teacher of Physical Theatre for 40 years, presenting his original works throughout North America, Europe, and Latin America to critical acclaim. James is the only physical theater artist ever invited to perform with legendary San Francisco street mime Robert Shields of CBS' The Shields & Yarnell Show. He is the first American clown to perform in the famed Teatro Dimitri of Switzerland. James has created award-winning ensemble works for James Donlon & Company touring nationwide and in Mexico, and also directed productions in Ireland and the Czech Republic. He has been on the faculties of acting schools such as The American Conservatory Theater, The North Carolina School of the Arts, The National Theatre Conservatory-Denver Center, The Yale School of Drama, UCSB, and UCSD, and has presented residencies with special institutions like El Teatro Campesino, Mexico City 's Bellas Artes, Prague's national Academy of Performing Arts (AMU), Dublin's Gaiety School of Acting, and Ringling Brothers, Barnum & Bailey Circus Clown College where he taught Tony Award-winner Bill Irwin. He has been a film movement coach for Oscar-winners Javier Bardem, Kathy Bates, and Frances McDormand, as well as Benjamin Bratt and David Strathairn. To find out more about James Donlon's work, visit http://flyingactorstudio.com/flyingactorstudio/James_History.html
Leonard Pitt has been performing and teaching for over forty years. In 1963 he traveled to Paris to study mime with Etienne Decroux, later becoming his assistant for two years. In 1970 he opened a school of physical theatre in Berkeley CA, attracting students from around the world. He has studied mask theater and carving in Bali and performed with the Balinese in their villages and temple festivals. He has presented his work internationally including England, Spain, Holland, Russia, New Zealand, Brazil, and Australia. He was a founding member of George Coates Performance Works, has received Chicago's Actor of the Year Award for his solo work, and was movement consultant for Jurassic Park and motion-capture specialist for the films Dragonheart and Three Wishes. In 1986 Leonard co-founded Life On The Water, a contemporary performance space at Fort Mason, San Francisco. He has written several books, one of which, Walks Through Lost Paris, has become a bestseller in France. The Leonard Pitt Website: www.leonardpitt.com
To purchase tickets to the show, visit http://flyingactorstudio.com/flyingactorstudio/Show.html
To find out more about the school, visit the website http://www.flyingactorstudio.com.
Monday, July 06, 2009
Clowns in Style: NY Times article about two clown's homes
http://www.nytimes.com/2009/07/05/realestate/05habi.html
The Traveling Circus Stops Here
Christina Gelsone and Seth Bloom, both clowns, rehearse in their apartment
CHRISTINA GELSONE, a slender 36-year-old with delicate features and hair the color of a ripe eggplant, lay flat on her back on the bare parquet floor of her West Harlem apartment, an expectant look on her face.
Christina Gelsone and Seth Bloom made three small rooms into one large space. “When Seth chose red kitchen cabinets,” Ms. Gelsone says, “I thought to myself: ‘Yes! I married the right guy.’ ”
Her husband, Seth Bloom, 34, whose dark hair shimmers with electric blue highlights, placed his palms atop hers. Then he balanced over her, almost as if he were floating in the air. The couple held the pose silently, the only sound on this quiet weekday afternoon the bird song outside their kitchen window, which offers a view of leafy St. Nicholas Park.
Ms. Gelsone and Mr. Bloom are professional clowns, and they regularly perform feats like these in their fifth-floor walk-up on St. Nicholas Terrace, a turn-of-the-century apartment house near 128th Street that in 1996 was converted into a co-op for families earning low to moderate incomes.
The onetime railroad flat, where the couple has lived since May 2008, is also their rehearsal space and office. A small room off the narrow hallway, for example, is crammed with tools of their trade like stilts, water bombs, juggling pins, soap-bubble solution and oversize balloons — not the items stashed in your average New York linen closet.
But Ms. Gelsone and Mr. Bloom, known professionally as the Acrobuffos (for a glimpse of what they look like in action, check out their Web site, www.acrobuffos.com), are hardly your average clowns.
They perform their acrobatics, mime, juggling and theatrics (but no fire-eating, Ms. Gelsone says, because it destroys your teeth) in some of the most troubled places on earth. They make annual visits to Afghanistan, where they met in the summer of 2003 (yes, they know it sounds like the start of a joke: “Two clowns meet in Afghanistan ...”). Individually or together they have also performed in Kosovo and Serbia in the Balkans, where memories of past conflicts are still vivid.
“We’re sometimes the only Americans without guns that people have seen in these places,” Ms. Gelsone said that afternoon after scrambling up from the floor and settling herself next to her husband beside a low stained-wood coffee table bought for $350 at My Little India, a store in Brooklyn that sells Indian imports, and one of the priciest items in the apartment.
“You’re just a little clown going over there. But what we do is offer people a chance to release their emotions, which is the first step to recovery.
“Sure, you can build a hospital and get a plaque with your name on it,” she said.
And Mr. Bloom added: “Hospitals and infrastructure are part of what’s needed. But people need to be people. What we do lets kids dream. What we do lets them imagine a future.”
The two were a professional couple for several years before becoming a romantic one, in part, as Ms. Gelsone explained, “because it’s a cardinal rule — never date a clown partner.”
“You can find a date anywhere,” she said. “But a clown partner? Not so easy.”
By spring 2007, however, they were living together in an apartment opposite their current building. By that Christmas, after a pageantlike wedding in the Chinese city Hangzhou, for which Ms. Gelsone wore a dress made of white balloons, and a honeymoon in the Wakhan Corridor of Afghanistan, one of the most remote parts of the world, they had found their home on St. Nicholas Terrace.
Their apartment house is more than a century old, but was rejuvenated by a city program that established it as a Housing Development Fund Corporation. Under this program, buildings owned by the city are renovated and the apartments made available to families whose annual earnings fall under a prescribed level.
The goal is to help families of relatively limited means become homeowners, and the impact in minority neighborhoods like this one has been considerable.
The program’s ideological underpinnings appealed to the couple (Mr. Bloom ended up as vice president of the co-op board). And to a couple that earns $50,000 to $70,000 a year — clowning isn’t the most lucrative of professions — the deal was attractive financially.
They bought their six-room apartment in May 2008 for $262,000; their monthly maintenance is $615. They set about transforming it into a space that would accommodate their not-so-traditional lifestyle. To create an area in which to rehearse, they collapsed the three small front rooms into one spacious area and redid the floors, each of which had been built at a slightly different level, to make one continuous expanse; renovations came in at just under $20,000. They furnished the room with items from Ikea (cheap) and tatami mats (easily stacked and stashed). During the day, when most of their neighbors are out, they can do handstands and pratfalls to their hearts’ content.
As a gentle homage to their time in China, they painted the kitchen in red, gold and blue, the colors of the Forbidden City in Beijing.
“When Seth chose red kitchen cabinets,” Ms. Gelsone said, “I thought to myself: ‘Yes! I married the right guy.’ ”
They find the ungentrified nature of their neighborhood appealing. People barbecue in the back of their buildings, play music on the street, and are so chatty, it can take 15 minutes to collect the mail.
“Where we travel, life happens on the street,” Mr. Bloom explained. “This is more like the rest of our lives.”
While their professional center of gravity lies thousands of miles away, the apartment is alive with images and paraphernalia that evoke their life on the road. These include not only the clowning tools in the closet and the grinning papier-mâché masks that Mr. Bloom has created using a plaster mold of his head, but also his vibrant color photographs, displayed on the living room walls, which provide a vivid record of the couple’s travels.
The scenes from Afghanistan are especially compelling.
There are pictures of boys with a jug, selling glasses of water for one afghani (two cents) apiece. There is an image of boys playing soccer in front of the old palace in Kabul and another of a traditional Central Asian sport called buzkashi that is played on horseback and involves tossing around a dead goat.
One of the most joyous images shows a girl from a Kabul orphanage standing on a pair of borrowed stilts and looking exultant.
“She was up there for four or five hours,” Mr. Bloom said. “She said she never wanted to come down.”
Tuesday, June 02, 2009
Great Russian Water Circus
| SAVE 10% on tickets to The Great Russian Water Circus Coming in September 2009 to Staten Island. BUY TICKETS NOW |
First time ever in New York! A one-of-a-kind international sensation, The Great Russian Water Circus is the world's only touring water circus and it's coming to New York after 35 countries and countless standing "Bravo" ovations. A water spectacle with 50 extraordinary acrobats, jugglers, magicians, clowns and synchronized swimmers, 350 spectacular costumes, sensational sets with stunning special effects and 75,000 gallons of water that will dazzle and amaze you.
Don't Miss This Splash Extravaganza!
Friday, May 29, 2009
Acme Flea Circus This Weekend- Hastings on Hudson
The Festival runs 3-5 pm at the MacEachron Waterfront Park, 1 River Street, Hastings-on-Hudson. The park is right next to the Hastings-on-Hudson Metro North Station., about 30 minutes from Grand Central, and about 3 stops from the downtown Yonkers line.
other performers include
The Sourdough Philosophy Circus ( Bread and Puppet Theater)
Soup
Puppet Junction
Cosmic Bicycle Theatre
The Himilayas Band
Tickets: $8 for adults, $5 kids, $30 for families of 5 or more.
(rain location: Hastings High School Gym)
For more info, including directions, visit: http://www.rivertownsguide.
Wednesday, May 20, 2009
All Will Learn to Wear Bowlers: Pig Iron Clown Workshop in NYC
A CLOWN WORKSHOP
with Quinn Bauriedel and Geoff Sobelle in New York City
WHEN: Wednesdays (June 10, 17, and 24) 2:30 - 5:30 PM
WHERE: The Brecht Forum 451 West Street
COST: $125
Pig Iron Artistic Director Quinn Bauriedel and Company Member Geoff Sobelle (creator of the international hit all wear bowlers) invite you to join them in an investigation of the world of the clown.
What gets revealed when you stand alone in front of an audience?
What pleasure can be found with the smallest mask in the world?
In what discipline are you the world's leading expert?
With little else than a red nose and the body that you inherited, the workshop will exploit each participant's unique sense of humor and way of uncovering the absurdity of being a human being on this planet. Take a leap into the unknown territory of your own lunacy.
To register, contact Quinn Bauriedel at quinn@pigiron.org
Past collaborations have included work with the legendary director Joe Chaikin, playwright Adriano Shaplin, choreographer David Brick, and composer Cynthia Hopkins.
Find out more about their work at www.pigiron.org
Friday, May 15, 2009
Gamarjabat at the New Victory Theatre May 9-24.
Although they are not particularly well-known in their native Japan, they have found success performing in the United Kingdom, winning awards at the Edinburgh Fringe Festival.
They have also appeared on television in the UK . In February 2009 the BBC broadcast a TV pilot Ketch & HIRO-PON Get It On.
They are making their U.S. flipper-flapping debut in their new show, ROCK ‘N ROLL PENGUIN at the New Victory Theatre in NY May 8-24. In support of that show, they've been doing some antics and other stuff in and around Times Square.
Find out more: New Victory Web Page
GAMARJABAT WEBSITE: (English version) http://www.gamarjobat.com/en/index.html
VIEW A VIDEO OF THEM BELOW
Wednesday, April 29, 2009
Dreams- Circus in One Act in Chicago (through May 17)
The circus features the Actors Gymnasium's Elite Teen Circus Ensemble and Lauren Hirte from the Lookingglass Theatre Company, along with a couple of Dell'arte alum Paul Lopez and Will Howard. It also will debut original music by Greg Hirte.
Show times are 7:30 p.m. Fridays, 4:30 and 7:30 p.m. Saturday and 2:30 p.m. Sunday. Tickets are $20 for adults and $10 for kids.
The show will be performed at the Noyes Cultural Center, 927 Noyes in Evanston, a northern suburb of Chicago. For tickets or details, call (847) 328-2795 or visit www.actorsgymnasium.com.
You can also read an article about the show in the Chicago Sun Times
Friday, March 13, 2009
Acme Flea Circus Featured on Chicago Television.
Here's an embedded video of it. If you can't see the video, visit their website.
I've started a new blog to house reviews of the flea circus at
www.acmefleacircus.blogspot.com so feel free to check that out also. It even includes a couple of people who blogged about seeing the show.
Not sure how long the video will be up for, so view it quickly!
Friday, February 06, 2009
ClownLab show- Feb 13, 14 (NY)
He teaches a Clown Lab in NY on a fairly regular basis. The product, or clinical trial, as he prefers to call it, of one of those Clown Labs will be coming up on Feb 13 & 14.
I haven't studied with him, so can't really say what his teaching style is like. His website and (clown journal) was a bit too impenetrable for me to figure out exactly what he is all about.
With most things like this, the best way to figure out if you want to study with him is to go see some of his work. Here are the details to check it out for yourself.
In situ modulation using perception action coupling and combined object vectors.
THEATERLAB
137 West 14th Street
New York, NY
February 12-13 at 8 pm
$10.00 Reservations: 212-929-2545
Featuring: Golan, Kathie Horejsi, Julie Josephson, Michaela Lind, Andrew Valins
Jef Johnson's CLOWN LAB is dedicated to the exploration of the mechanisms underlying the nature of clown through behavior, experience and creative association. This is a clinical trial. Real humans will be used.
To find out more about Jef's work, visit his website listed below:
http://www.nyclown.com
Tuesday, February 03, 2009
Big Apple chooses new artistic director
Dufresnoy, a former aerialist, has been with the show since 1992.
Full story here:
http://www.dailyrecord.com/article/20090202/COMMUNITIES39/902020326
You can find out more about the Big Apple Circus, including their latest show "The Play's The Thing" at their website, http://www.bigapplecircus.org
Thursday, January 08, 2009
Flea Circus will make Chicago Premiere Feb 26-28, 2009.
I'll be performing the Chicago premiere of the Acme Miniature Flea Circus in February at a great museum/arts center. The Intuit, which is the center for intuitive and outsider art. Kind of like the Museum of Visionary Art in Baltimore or the Museum of Jurassic Technology in L.A., the Intuit celebrates who have a singular dedication to their work, and an amazing amount of creativity and devotion to their artistic vision.
I'll be appearing in conjunction with an exhibit by the works of self-taught Chicago artist Joseph Yoakum.
For more information, see the Press release:
http://www.trainedfleas.com/intuit.html
You can also purchase your tickets by clicking below!
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Sunday, December 14, 2008
PRESS RELEASE: Aga Boom in Toronto Dec 30-January 3
Las Vegas Sun
Get ready for a big BOOM in fun! Show One is proud to announce that the critically acclaimed clown show AGA-BOOM will make its Canadian premiere in Ontario this holiday season. Created by veterans of Cirque du Soleil and rooted in the European style of clowning, AGA-BOOM is a riotous mix of bold physical comedy, sophisticated stunts and delicious disarray.
"Masterly clowning." New York Times
Clever, messy and outrageously fun, AGA-BOOM cuts through the barriers of language and culture to dazzle audiences of all ages.
Taking its name from a play on boomaga (the Russian word for paper), AGA-BOOM begins and ends with scenes about paper, starting with a small piece stuck to someone's hand and escalating into a huge paper fight. In between is joyful chaos that features inflated garbage bags, juggling suitcases, enormous rubber balloons and lots of audience participation.
"The kids in the audience were on cloud nine, but hardly more so than the adults." Los Angeles Times
AGA-BOOM combines physical comedy, mime, poetry, circus arts and experimental theatre to create a kooky, kinetic entertainment experience. AGA-BOOM is the brainchild of creator/director DIMITRI BOGATIREV who, together, with wife and co-star IRYNA IVANYTSKA, and cast mates PHILIP BRIGGS, ELENA NEKRASSOVA and ANTON BOGATIREV, are true masters of mayhem!
Monday, October 06, 2008
The Amazing Ted Show at Ars Nova (NY 10/7)
Go check it out if you have a chance.
See Ted juggle fifty-six chainsaws, set himself on fire, hold his breath for twenty minutes and then turn himself inside out. Featuring renowned entertainers from The Glass Contraption, THE AMAZING TED SHOW! is full of singing, dancing, ukulele, loud noises, attempted feats of acrobatics, falling in love and falling down. Audiences of all ages will love clowning around inside the beautifully stupid and wildly funny world of Ted! Directed by Virginia Scott. To find out more, visit http://arsnovanyc.com/ or
buy tickets online at smarttix.com